- A BLACK LADY SKETCH SHOW SEASON 2 SERIAL
- A BLACK LADY SKETCH SHOW SEASON 2 SERIES
- A BLACK LADY SKETCH SHOW SEASON 2 TV
Painful as it may be, fans must accept some shows are going away, including erasing them from streaming services completely.
A BLACK LADY SKETCH SHOW SEASON 2 SERIES
With nearly 600 series available to viewers last year, it's obvious there's too much television for the audience to process.
A BLACK LADY SKETCH SHOW SEASON 2 TV
If viewers want high quality shows, they'll have to support that process, even if the strikes seriously limit what kind of TV we can enjoy for awhile, with our badly understocked upcoming Fall TV season as an example.Ģ. But the strikes by SAG-AFTRA and the Writers Guild of America have made it plain: Average workers in the industry need to make more. Sure, there are still big stars who make big money. Recent polls already show an overwhelming majority of Americans support striking writers and actors, so let's keep that sentiment going. Let's support fair wages for those who make TV.
A BLACK LADY SKETCH SHOW SEASON 2 SERIAL
Still, with all the angst and hand wringing, I couldn't have imagined a TV universe where excellent but risky creative gambles like Netflix's road rage dramedy Beef, Prime Video's surreal serial killer drama Swarmor FX's transcendent restaurant-set dark comedy The Bear would get the resources to exist without the current streaming system. But when streaming services cancel series or take under-watched shows completely off their platforms for tax benefits, they're criticized for deep-sixing the work of dedicated artists. It's obvious we now have too much television for the audience to process, with 599 series available last year, according to data from FX networks. Some of the criticisms even contradict each other. "Peak TV is in retreat and in its place is a new era of discontent: Call it pique TV," wrote the Los Angeles Times in an article headlined "The Lost Promise of Streaming." "TV's streaming model is broken," declared Vulture in an ominous report. Ten years after Netflix debuted its first prestige TV-style original series, there are millions of viewers who have never known an entertainment world where they couldn't access shows on command from a phone in their pocket.īut the very things which seemed liberating when the streaming wars kicked off, now draw complaints from consumers and some media critics. I call it "on demand attitude": the consumers' expectation that media will come to them, rather than the other way around. Like so much disruption fueled by online technology, streaming's slow dismantling of the conventional TV business is rooted in giving consumers what they want. Some angst here springs from an old saying: Be careful what you wish for. But rather than curse the darkness, fans of great TV must act to help preserve what works, to build a more stable, empowering entertainment ecosystem.īecause one of the great lessons from all of this chaos, is that consumers can and do have a say in all this. Some folks have blamed the industry itself for these problems, rather than the knuckleheads running the business.
One of the great lessons from all of this chaos, is that consumers can and do have a say in all this.
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